In the period between 1150 and 1550, an increasing number of Christians in western Europe made pilgrimage to places where material objects — among them paintings, statues, relics, pieces of wood, earth, stones, and Eucharistic wafers — allegedly erupted into life. These objects appeared animated — they wept, bled, and even walked. Such phenomena posed a challenge to Christians....(展开全部)

In this timely new book, a distinguished intellectual historian offers us cogent and persuasive responses to these urgent topical questions: What are the prospects for the European Union? If they are not wholly rosy, why is that? And, in any event, how much does it matter whether a united Europe does or does not come about, on whatever terms?

"I am enthusiastically European; no informed person could seriously wish to return to the embattled, mutually antagonistic circle of suspicious and introverted nations that was the European continent in the quite recent past. But it is one thing to think an outcome desirable, quite another to suppose it is possible. It is my contention that a truly united Europe is sufficiently...(展开全部)

Between the twelfth and the sixteenth centuries, European Christians used in worship a plethora of objects, not only prayer books, statues, and paintings but also pieces of natural materials, such as stones and earth, considered to carry holiness, dolls representing Jesus and Mary, and even bits of consecrated bread and wine thought to be miraculously preserved flesh and blood....(展开全部)

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

This translation uses the text of the original 1753 edition. It also includes additions made by Laugier for the edition of 1755 as well as the Avertissement for that edition, which contains Laugier's rebuttal to his critics. An introduction by Wolfgang Herrmann gives details of Laugier's life and the context in which this book was written. The Essai is important as a key docume...(展开全部)

Eric Gill's opinionated manifesto on typography argues that 'a good piece of lettering is as beautiful a thing to see as any sculpture or painted picture'. This essay explores the place of typography in culture and is also a moral treatise celebrating the role of craftsmanship in an industrial age. Gill, a sculptor, engraver, printmaker and creator of many classic typefaces tha...(展开全部)

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

Eric Gill's opinionated manifesto on typography argues that 'a good piece of lettering is as beautiful a thing to see as any sculpture or painted picture'. This essay explores the place of typography in culture and is also a moral treatise celebrating the role of craftsmanship in an industrial age. Gill, a sculptor, engraver, printmaker and creator of many classic typefaces tha...(展开全部)